



Take for example someone buying a sandwich at a store. On the surface its a minor occurrence, but each actor potentially has many conflicting desires and motives. The cashier may despise the customer, thinking how he was undeservingly dealt a better hand in life, not forced to work in a store. On the other hand, he thinks to himself that he should be as polite as possible, hoping that the customer will put his change in the tip jar. At the same time, he may experience intense contempt toward the capitalist system that has taught him to sell a fake affect for money. The customer may feel guilt for forcing the cashier to perform mindless labor, but at the same time have a desire for the cashier to work as rapidly as possible.
With real drama taking place this rapidly, I think writers more often have to leave out most of what is already there, rather than add something that isn't.
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